Thursday 19 July 2007

The challenges of writing...

Filmmaking and writing is a fickle creature that any aspiring writer or filmmaker has to face.

The last project I worked on when I was the writer/director was "Night is Day" and we filmed our last scenes for episodes 5 and 6 on the 14th of April 2007. I then spent the next 2 months sweating over editing the two episodes so it would be ready on time for the big premiere at the Glasgow Film Theatre on the 2nd of June. We needed to show a rough cut of the final film because the animators, sound technician and composer simply didn't have enough time to perfect it - and now that the premiere is over, everybody who threw everything to the back burner to help complete NiD for the 2nd of June has to go back to their other projects for the time being - that's fine, I've finished my editing of episodes 5 and 6 and they'll be completed and put up online in the next month or so and then we can try to sell it on DVD etc. As long as we make our £2,000 back and we can repay everybody their travelling expenss etc then all the better.

Now the last film I was involved in was called "Jazz Hands" and it was written and directed by Iain Thomson who was my camera operator and 1st assistant director on "NiD". Iain is a very talented filmmaker - inspired heavily by foreign film and I'd say subtle filmmaker Jim Jarmusch. Iain wrote a 5 minute short film, a comedy about a young actress who thinks that she's going to get a part in a new film by a controversal filmmaker, but instead becomes a fluffer who needs to relieve the film's main actor, Eddie... We shot it in one day at G-Mac in Glasgow and we had some familiar faces from NiD and we had some new faces. It was a long shoot, but it was fun and creative and everybody had a say. I was the production manager while Stuart, another fantastic filmmaker, was the Assistant Director on it.

me and Iain on the set of "Jazz Hands"

But it just made me crave to make my own short film again! I'm in the process of trying to make a good looking film-noir called "Two and a Half Minutes" but I am being plagued by trying to find a place to audition actors, lack of finances (thanks to the bank over-charging me!) and a general blahness because my personal life is seriously getting in the way of my filmmaking life.

I also want to make my first feature film...eventually. I've started to write "The Journey" again, but I've not wrote more of that since my first post on here. It's kind of stuck. To complicate matters I've started writing a horror/sci-fi/comedy set in the village that I live in. I've wrote a surprisingly 38 pages (that's around half an hour screen time) in two days but now that's hit a road-block too.

Last night at midnight I couldn't sleep and I suddenly got an idea in my head for a short film - a really basic film, about how no matter what happens you'll always love again. It's more of a visual film - I can see the shots in my head - I will make it, probably before "Two and a Half Minutes" because it's a less complicated shoot and I need less people. I need the usual suspects - Iain (on camera) Stuart (on Assistant Directing duties) a sound guy (I know of two who I can ask), an assistant/runner (easily found) a producer (meeting a producer tomorrow all going well so we'll see how that goes) and a cast - there's only 4 cast members and I think I know who I want for the roles. The locations are simple too.

I'll sign off with a note about one of my inspirational directors - Mr. Quentin Tarantino - when making Pulp Fiction he wrote 6 pages of "Kill Bill" and then he shoved it in a drawer and he didn't touch it for around 6 years after that, and Kill Bill was amazing.

Rachel Wisson and Chris Somerville on "Jazz Hands"

Wednesday 27 June 2007

A filmmaker in Scotland

Hello,

I'm Fraser, 23, from Glasgow. And I am a filmmaker.

So far in my film career I've made two short films and a web series. I've spent a total of £3150 making those films and the web series.

In Scotland we have two filmmaking bodies - Scottish Screen, who are supposed to support independent filmmaking talent in Scotland, and G-Mac, who do the same but have less money.

Obstacle number 1!

I took one of my short film scripts to Scottish Screen and I applied for the short film fund of up to £25,000 to make it (like I'd ever need that much!). So I did all they asked - filled in the forms, did the proper budget (if i were to pay people and pay for equipment my 5 minute film would cost me £12,000!) and sent them the CV of my cast and crew. A few weeks later Scottish Screen finally got back to me and said "Because you have not been funded by any other schemes such as digicults and cineworks, we can't support you."

Obstacle number 2!

So I then looked into digicults and cineworks and I found out their deadlines are in November... not great when I want to make my film NOW... rather than sit about not doing anything for the next 5 months. However I've seen previous digicults and cineworks and they don't tackle the genres I want to work in when it comes to making films.

The only other alternative is private funding. Finding people outwith the film industry, who has money, and is willing to give you money to make your film. Always a joy.

Right now I'm trying to find people to sponsor my short film, and I need a minimum of £300 - that's just to pay the cast and crew's travelling expenses, food, and tapes to actually shoot the film. Surely there must be some people out there who can help me...right?

You can read about my short film, "Two and a Half Minutes" at http://www.twoandahalfminutes.tk

Anyway, I'll keep you posted.

Moving on to my subject header!

While I'm working on Night is Day, and my short films, the ultimate goal is to actually write and direct a proper, full length feature film. Yet another impossible task in Scottish filmmaking.

Different filmmakers tackle different genres - there's comedy (example http://www.pondlife.moonfruit.com), horror (example http://www.thebench.moonfruit.com), drama (too many to link to!) and fan ficton (example http://www.treasureofthetemplars.com) and that's fine, good luck to them, I hope they do well.

Now don't get me wrong, there is no such thing as an original idea anymore, but like my filmmaking God, Sir Tarantino, you need to take a genre you love, and put your own unique spin on it.

So I am.

I'm taking a genre I love - swordfighting - and turning it into a small adventure feature film.

I already wrote a draft for it a year ago and I tried to get it made, but due to a lack of reliable people and funding, the film collapsed and I went on to make "Night is Day" instead. I've had a year to think about it, seen where I went wrong, and now I'm stripping the script and starting over with a more simple concept, and fewer characters.

Now getting this film funded will be a complete nightmare, but I'm going to write a short film which will be a prelude to the actual film, and use the short to take around and try to raise the money to shoot the feature.

I've only wrote 2 pages of the actual film, but I'm going to let you see it and you can let me know what you think.

I present the first two scenes of "The Journey"...


FADE IN

1. EXT – WOODED AREA – DAY

The sun shines down through the trees down to the clean grass.

LIAM, in his mid-twenties, tall, wearing jeans, trainers, and a blood-stained blue shirt, stands with his back to us.

We pan down to the right to reveal that LIAM is holding a SAMURAI SWORD which is dripping with blood.

The blood leads to a dead body, ALEX, with his sword lying next to him.

LIAM flicks the blood from his sword and takes a deep breath.

We go back up and we see LIAM looking down at ALEX’S body, there’s remorse in his face.

LIAM bends down and looks around ALEX’S neck until he finds a STRING NECKLACE, LIAM snaps it off and takes a SILVER KEY from it.

LIAM looks at the key and he becomes totally fixated on it.

LIAM closes his eyes.

LIAM
(quietly)
Four to go.

ANNABELLE
(off screen)
It won’t be easy.


FADE TO:


2. EXT – LIAM’S HOUSE – BACK GARDEN – DAY

TITLE
3 MONTHS AGO

LIAM looks slightly more innocent, his hair is a little shorter but his clothes are the same.

He is standing next to his father, JOHN, who is roughly twenty-years older than LIAM.

JOHN and LIAM are both holding their swords.

LIAM starts to move around his dad, spinning his sword in his hand.

JOHN smiles.

LIAM
Don’t go easy on me.

I need to learn.

JOHN
Don’t worry son…

JOHN runs at LIAM and their swords clash.

LIAM uses his strength to break free of the stalemate and runs the sword past JOHN’S chest, but JOHN jumps back and slashes the sword at LIAM’S head.

So there you have it :p